Jessica Arseneau

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Sometimes playful, the work of Jessica Arseneau questions the reciprocal transformations of the individual and his social environment. It shows the limits of desire and seduction soumisent consumerism omnipotent.

During a residency at ElMadina for Performing Arts and Digital Alexandria (2014), and as an echo of the Egyptian Revolution of 2011, she made mouthpiece of a social-political art made by the women singing.

Overall, its practice reveals her state of « transition »: it focuses on the collection or appropriation of cultural tidbits such as objects, audio and video found by chance or provoked. Thus, the language, rhythm and everyday objects are explored and put in relationship to evoke poetic and metaphorical diversions.